易升级：随技术发展不断更新《相思（人言落日是天涯）》原文翻译及赏析_作者李觏人言落日是天涯望极天涯不见家已恨碧山相阻隔碧山还被暮云遮
《生查子·关山魂梦长》原文翻译及赏析_作者晏几道关山魂梦长鱼雁音尘少两鬓可怜青只为相思老归梦碧纱窗说与人人道真个别离难不似相逢好这首词抒写相思怀远之情上片怀旧以关山总领词人怀归思亲之根由词人以显贵公子远涉关山突感孤单寂寞魂牵梦系于家中亲人欲归不得遂怨关山太长又不见亲人书信得以慰藉遂怨替人传递书信的鱼雁太少以痴语写真情令人莞尔两鬓二句写词人闷时对镜见两鬓青青正是青春华茂遂觉远离家乡实为虚耗青春便突发感慨哎可怜哟我这满头青丝就要为相思变老喽故作夸张憨态可掬情趣盎然颇见性情下片梦归纯由想象生发词人怀归情切于是忽然梦归碧纱窗与爱侣在碧纱窗之闺阁梦中相见大感快慰遂向亲爱的人儿倾诉衷肠离别实在太难太苦真不如相逢团聚好这是词人亲身感受的一句实话也是向爱侣表达思慕的一句痴语可想死你了此又是词人至性痴情的真率发露此词以简约的文辞抒写至痴真情真实而亲切于平淡中见韵味
《醉落魄·无言哽噎》原文翻译及赏析_作者赵佶无言哽噎看灯记得年时节行行指月行行说愿月常圆休要暂时缺今年华市灯罗列好灯争奈人心别人前不敢分明说不忍抬头羞见旧时月无言哽噎看灯记得年时节又到了看灯的时节触目伤怀不见去年人无语凝噎行行指月行行说愿月常圆休要暂时缺想当初我们一起看灯赏月频指明月频频诉说愿月常圆一刻也不要亏缺月儿常圆是人们美好的愿望然而今年此时月圆人却不圆了今年花市灯罗列好灯争奈人心别人前不敢分明说不忍抬头羞见旧时月华丽的街区彩灯罗列美伦美奂的灯景令人目不暇接怎奈此时的我再也没了往昔的心情不忍抬头不忍见旧时的明月徽宗于政治上无所建树但在生活中却多才多艺感情丰富细腻这一点于此词中可以看出《壮士篇》原文翻译及赏析_作者张华天地相震荡回薄不知穷人物禀常格有始必有终年时俯仰过功名宜速崇壮士怀愤激安能守虚冲乘我大宛马抚我繁弱弓长剑横九野高冠拂玄穹慷慨成素霓啸咤起清风震响骇八荒奋威曜四戎濯鳞沧海畔驰骋大漠中独步圣明世四海称英雄这是一首乐府诗题旨大概是由阮籍咏怀壮士何慷慨来的那首诗道壮士何慷慨志欲威八荒驱车远行役受命念自忘良弓挟乌号明甲有精光临难不顾生身死魂飞扬阮籍这首诗在他的咏怀中可谓别调写得也很慷慨激昂但它表现的功业心主要是从效命气节着眼的而张华此篇虽然也有这方面的意思但主要是从人生意义生命价值这些认识出发显得比较深切更能予人们以激励这是思想上的不同阮籍的作品是古诗显得简约朴素而张华此篇则较铺张也比较重修辞乘我大宛马以下十句全是对偶这不仅显出乐府体与古诗的差别也显出西晋之后的诗歌比正始之音更注重形式美了

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易升级：随技术发展不断更新《相思（人言落日是天涯）》原文翻译及赏析_作者李觏人言落日是天涯望极天涯不见家已恨碧山相阻隔碧山还被暮云遮
《生查子·关山魂梦长》原文翻译及赏析_作者晏几道关山魂梦长鱼雁音尘少两鬓可怜青只为相思老归梦碧纱窗说与人人道真个别离难不似相逢好这首词抒写相思怀远之情上片怀旧以关山总领词人怀归思亲之根由词人以显贵公子远涉关山突感孤单寂寞魂牵梦系于家中亲人欲归不得遂怨关山太长又不见亲人书信得以慰藉遂怨替人传递书信的鱼雁太少以痴语写真情令人莞尔两鬓二句写词人闷时对镜见两鬓青青正是青春华茂遂觉远离家乡实为虚耗青春便突发感慨哎可怜哟我这满头青丝就要为相思变老喽故作夸张憨态可掬情趣盎然颇见性情下片梦归纯由想象生发词人怀归情切于是忽然梦归碧纱窗与爱侣在碧纱窗之闺阁梦中相见大感快慰遂向亲爱的人儿倾诉衷肠离别实在太难太苦真不如相逢团聚好这是词人亲身感受的一句实话也是向爱侣表达思慕的一句痴语可想死你了此又是词人至性痴情的真率发露此词以简约的文辞抒写至痴真情真实而亲切于平淡中见韵味
《醉落魄·无言哽噎》原文翻译及赏析_作者赵佶无言哽噎看灯记得年时节行行指月行行说愿月常圆休要暂时缺今年华市灯罗列好灯争奈人心别人前不敢分明说不忍抬头羞见旧时月无言哽噎看灯记得年时节又到了看灯的时节触目伤怀不见去年人无语凝噎行行指月行行说愿月常圆休要暂时缺想当初我们一起看灯赏月频指明月频频诉说愿月常圆一刻也不要亏缺月儿常圆是人们美好的愿望然而今年此时月圆人却不圆了今年花市灯罗列好灯争奈人心别人前不敢分明说不忍抬头羞见旧时月华丽的街区彩灯罗列美伦美奂的灯景令人目不暇接怎奈此时的我再也没了往昔的心情不忍抬头不忍见旧时的明月徽宗于政治上无所建树但在生活中却多才多艺感情丰富细腻这一点于此词中可以看出《壮士篇》原文翻译及赏析_作者张华天地相震荡回薄不知穷人物禀常格有始必有终年时俯仰过功名宜速崇壮士怀愤激安能守虚冲乘我大宛马抚我繁弱弓长剑横九野高冠拂玄穹慷慨成素霓啸咤起清风震响骇八荒奋威曜四戎濯鳞沧海畔驰骋大漠中独步圣明世四海称英雄这是一首乐府诗题旨大概是由阮籍咏怀壮士何慷慨来的那首诗道壮士何慷慨志欲威八荒驱车远行役受命念自忘良弓挟乌号明甲有精光临难不顾生身死魂飞扬阮籍这首诗在他的咏怀中可谓别调写得也很慷慨激昂但它表现的功业心主要是从效命气节着眼的而张华此篇虽然也有这方面的意思但主要是从人生意义生命价值这些认识出发显得比较深切更能予人们以激励这是思想上的不同阮籍的作品是古诗显得简约朴素而张华此篇则较铺张也比较重修辞乘我大宛马以下十句全是对偶这不仅显出乐府体与古诗的差别也显出西晋之后的诗歌比正始之音更注重形式美了

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