江南夜静月如钩，灯火璀璨映河洲头远阔航丈温琶辆吕姆悔母露姆《清平乐·留人不住》原文翻译及赏析_作者晏几道留人不住醉解兰舟去一棹碧涛春水路过尽晓莺啼处渡头杨柳青青枝枝叶叶离情此后锦书休寄画楼云雨无凭
《社日村居（一作王驾诗）》原文翻译及赏析_作者张演鹅湖山下稻粱肥豚栅鸡栖半掩扉桑柘影斜春社散家家扶得醉人归《感遇十二首》原文翻译及赏析_作者张九龄兰叶春葳蕤桂华秋皎洁欣欣此生意自尔为佳节谁知林栖者闻风坐相悦草木有本心何求美人折
《【双调】殿前欢_畅幽哉，春》原文翻译及赏析_作者贯云石楚怀王忠臣跳入汨罗江离骚读罢空惆怅日月同光伤心来笑一场笑你个三闾强为甚不身心放沧浪污你你污沧浪首句以楚怀王三字喝起气势森然跟着说忠臣跳入泪罗江直接揭露和控诉历史和社会现实的不平三四句是诗人对屈原的景仰和对历史的沉思种种伤感迷惑反思尽在空惆怅三字之中惆怅之余又忽省悟第五六句说从伤心转为失笑笑屈原过于固执活得不够洒脱不懂得从忠臣的硬壳中自我解放身心落得可悲的下场末句以问作结沧浪污你你污沧浪诗人连对屈原投江也持非议态度简直是石破天惊令人不可思议这样写表面上荒诞不经其实对屈原的讽笑不过是冷峭苦涩的反诘以摆出玩世不恭的姿态蔑视现实以说屈原不值得为现实牺牲进而彻底否定丑恶的现实此曲下半首抑圣为狂寓曲于笑能发人之所未发是全曲最精警之处朱权太和正音谱说作者散曲风格如天马脱羁此曲命意奇诡洒脱说明作者的思路确是谁也羁缚不住的《乌夜啼·昨夜风兼雨》原文翻译及赏析_作者李煜昨夜风兼雨帘帏飒飒秋声烛残漏断频欹枕起坐不能平世事漫随流水算来一梦浮生醉乡路稳宜频到此外不堪行一梦一作梦里

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江南夜静月如钩，灯火璀璨映河洲头远阔航丈温琶辆吕姆悔母露姆《清平乐·留人不住》原文翻译及赏析_作者晏几道留人不住醉解兰舟去一棹碧涛春水路过尽晓莺啼处渡头杨柳青青枝枝叶叶离情此后锦书休寄画楼云雨无凭
《社日村居（一作王驾诗）》原文翻译及赏析_作者张演鹅湖山下稻粱肥豚栅鸡栖半掩扉桑柘影斜春社散家家扶得醉人归《感遇十二首》原文翻译及赏析_作者张九龄兰叶春葳蕤桂华秋皎洁欣欣此生意自尔为佳节谁知林栖者闻风坐相悦草木有本心何求美人折
《【双调】殿前欢_畅幽哉，春》原文翻译及赏析_作者贯云石楚怀王忠臣跳入汨罗江离骚读罢空惆怅日月同光伤心来笑一场笑你个三闾强为甚不身心放沧浪污你你污沧浪首句以楚怀王三字喝起气势森然跟着说忠臣跳入泪罗江直接揭露和控诉历史和社会现实的不平三四句是诗人对屈原的景仰和对历史的沉思种种伤感迷惑反思尽在空惆怅三字之中惆怅之余又忽省悟第五六句说从伤心转为失笑笑屈原过于固执活得不够洒脱不懂得从忠臣的硬壳中自我解放身心落得可悲的下场末句以问作结沧浪污你你污沧浪诗人连对屈原投江也持非议态度简直是石破天惊令人不可思议这样写表面上荒诞不经其实对屈原的讽笑不过是冷峭苦涩的反诘以摆出玩世不恭的姿态蔑视现实以说屈原不值得为现实牺牲进而彻底否定丑恶的现实此曲下半首抑圣为狂寓曲于笑能发人之所未发是全曲最精警之处朱权太和正音谱说作者散曲风格如天马脱羁此曲命意奇诡洒脱说明作者的思路确是谁也羁缚不住的《乌夜啼·昨夜风兼雨》原文翻译及赏析_作者李煜昨夜风兼雨帘帏飒飒秋声烛残漏断频欹枕起坐不能平世事漫随流水算来一梦浮生醉乡路稳宜频到此外不堪行一梦一作梦里

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