江南风味情意浓：鲜美虾仁水饺馅粘尤卧赫久辽字恼远张《花影》原文翻译及赏析_作者苏轼重重叠叠上瑶台几度呼童扫不开刚被太阳收拾去却教明月送将来却教一作又教
《剑客 / 述剑》原文翻译及赏析_作者贾岛十年磨一剑霜刃未曾试今日把示君谁有不平事《鲁人锯竿入城》原文翻译及赏析_作者邯郸淳鲁有执长竿入城门者初竖执之不可入横执之亦不可入计无所出俄有老父至曰吾非圣人但见事多矣何不以锯中截而入遂依而截之执长竿入城门者鲁人做事不会思考死板的循规蹈矩不知变通自作聪明的人常常是愚蠢的决不能做自作聪明好为人师的人另外虚心求教的人同样也应积极动脑筋绝不能盲目地顺从别人的意见
《【双调】殿前欢_畅幽哉，春》原文翻译及赏析_作者贯云石楚怀王忠臣跳入汨罗江离骚读罢空惆怅日月同光伤心来笑一场笑你个三闾强为甚不身心放沧浪污你你污沧浪首句以楚怀王三字喝起气势森然跟着说忠臣跳入泪罗江直接揭露和控诉历史和社会现实的不平三四句是诗人对屈原的景仰和对历史的沉思种种伤感迷惑反思尽在空惆怅三字之中惆怅之余又忽省悟第五六句说从伤心转为失笑笑屈原过于固执活得不够洒脱不懂得从忠臣的硬壳中自我解放身心落得可悲的下场末句以问作结沧浪污你你污沧浪诗人连对屈原投江也持非议态度简直是石破天惊令人不可思议这样写表面上荒诞不经其实对屈原的讽笑不过是冷峭苦涩的反诘以摆出玩世不恭的姿态蔑视现实以说屈原不值得为现实牺牲进而彻底否定丑恶的现实此曲下半首抑圣为狂寓曲于笑能发人之所未发是全曲最精警之处朱权太和正音谱说作者散曲风格如天马脱羁此曲命意奇诡洒脱说明作者的思路确是谁也羁缚不住的《【双调】楚天遥过清江引》原文翻译及赏析_作者薛昂夫屈指数春来弹指惊春去檐外蛛丝网落花也要留春住几日喜春晴几夜愁春雨十二雕窗六曲屏题遍伤心句这首送春词抒写了伤春惜春的情怀上片言春之短暂屈指迎春弹指春去画檐蛛网也留春住下片抒写伤春愁绪几日春晴几夜春雨春将归去矣伤春之句题遍屏窗全词曲折有致思绪缠绵工巧婉丽饶有韵味

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江南风味情意浓：鲜美虾仁水饺馅粘尤卧赫久辽字恼远张《花影》原文翻译及赏析_作者苏轼重重叠叠上瑶台几度呼童扫不开刚被太阳收拾去却教明月送将来却教一作又教
《剑客 / 述剑》原文翻译及赏析_作者贾岛十年磨一剑霜刃未曾试今日把示君谁有不平事《鲁人锯竿入城》原文翻译及赏析_作者邯郸淳鲁有执长竿入城门者初竖执之不可入横执之亦不可入计无所出俄有老父至曰吾非圣人但见事多矣何不以锯中截而入遂依而截之执长竿入城门者鲁人做事不会思考死板的循规蹈矩不知变通自作聪明的人常常是愚蠢的决不能做自作聪明好为人师的人另外虚心求教的人同样也应积极动脑筋绝不能盲目地顺从别人的意见
《【双调】殿前欢_畅幽哉，春》原文翻译及赏析_作者贯云石楚怀王忠臣跳入汨罗江离骚读罢空惆怅日月同光伤心来笑一场笑你个三闾强为甚不身心放沧浪污你你污沧浪首句以楚怀王三字喝起气势森然跟着说忠臣跳入泪罗江直接揭露和控诉历史和社会现实的不平三四句是诗人对屈原的景仰和对历史的沉思种种伤感迷惑反思尽在空惆怅三字之中惆怅之余又忽省悟第五六句说从伤心转为失笑笑屈原过于固执活得不够洒脱不懂得从忠臣的硬壳中自我解放身心落得可悲的下场末句以问作结沧浪污你你污沧浪诗人连对屈原投江也持非议态度简直是石破天惊令人不可思议这样写表面上荒诞不经其实对屈原的讽笑不过是冷峭苦涩的反诘以摆出玩世不恭的姿态蔑视现实以说屈原不值得为现实牺牲进而彻底否定丑恶的现实此曲下半首抑圣为狂寓曲于笑能发人之所未发是全曲最精警之处朱权太和正音谱说作者散曲风格如天马脱羁此曲命意奇诡洒脱说明作者的思路确是谁也羁缚不住的《【双调】楚天遥过清江引》原文翻译及赏析_作者薛昂夫屈指数春来弹指惊春去檐外蛛丝网落花也要留春住几日喜春晴几夜愁春雨十二雕窗六曲屏题遍伤心句这首送春词抒写了伤春惜春的情怀上片言春之短暂屈指迎春弹指春去画檐蛛网也留春住下片抒写伤春愁绪几日春晴几夜春雨春将归去矣伤春之句题遍屏窗全词曲折有致思绪缠绵工巧婉丽饶有韵味

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