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《登金陵雨花台望大江》原文翻译及赏析_作者高启大江来从万山中山势尽与江流东钟山如龙独西上欲破巨浪乘长风江山相雄不相让形胜争夸天下壮秦皇空此瘗黄金佳气葱葱至今王我怀郁塞何由开酒酣走上城南台坐觉苍茫万古意远自荒烟落日之中来石头城下涛声怒武骑千群谁敢渡黄旗入洛竟何祥铁锁横江未为固前三国后六朝草生官阙何萧萧英雄乘时务割据几度战血流寒潮我生幸逢圣人起南国祸乱初平事休息从今四海永为家不用长江限南北
《好事近·春路雨添花》原文翻译及赏析_作者秦观春路雨添花花动一山春色行到小溪深处有黄鹂千百飞云当面化龙蛇夭矫转空碧醉卧古藤阴下了不知南北


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99贵宾厅开号电话「备用QQ—950216—」「客服聊天系统—916.tw—」【开户|上分|注册|公司|经理】

《添字采桑子·窗前谁种芭蕉树》原文翻译及赏析_作者李清照窗前谁种芭蕉树阴满中庭阴满中庭叶叶心心舒卷有馀清馀清一作情伤心枕上三更雨点滴霖霪点滴霖霪愁损北人不惯起来听这首词作于南渡以后通过雨打芭蕉引起的愁思表达作者思念故国故乡的深情上片咏物借芭蕉展心反衬自己愁怀永结郁郁寡欢的心情和意绪首句窗前谁种芭蕉树似在询问似在埋怨无人回答也无须回答然而通过这一设问自然而然地将读者的视线引向南方特有的芭蕉庭院接着再抓住芭蕉叶心长卷叶大多荫的特点加以咏写蕉心长卷一叶叶一层层不断地向外舒展阔大的蕉叶似巨掌似绿扇一张张一面面伸向空间布满庭院散发着清秀点缀着南国的夏秋第二句阴满中庭形象而逼真地描绘出这一景象第三句重复上句再用一个阴满中庭进行吟咏使人如临庭前如立窗下身受绿叶的遮蔽进而注视到蕉叶的舒卷叶叶心心舒展有馀情歇拍二句寄情于物寓情于景叶叶与心心两对叠字连用一面从听觉方面形成应接不暇之感面从视觉印象方面向人展示蕉叶不断舒展的动态而蕉心常卷犹如愁情无极嫩黄浅绿的蕉心中紧裹着绵绵不尽的情思全词篇幅短小而情意深蕴语言明白晓畅能充分运用双声叠韵重言叠句以及设问和口语的长处形成参差错落顿挫有致的韵律又能抓住芭蕉的形象特征采用即景抒情寓情于物触景生情寓情于景的写作手法抒发国破家亡后难言的伤痛用笔轻灵而感情凝重体现出漱玉词语新意隽顿挫有致的优点蒋哲伦等李清照词鉴赏济南齐鲁书社
《登金陵雨花台望大江》原文翻译及赏析_作者高启大江来从万山中山势尽与江流东钟山如龙独西上欲破巨浪乘长风江山相雄不相让形胜争夸天下壮秦皇空此瘗黄金佳气葱葱至今王我怀郁塞何由开酒酣走上城南台坐觉苍茫万古意远自荒烟落日之中来石头城下涛声怒武骑千群谁敢渡黄旗入洛竟何祥铁锁横江未为固前三国后六朝草生官阙何萧萧英雄乘时务割据几度战血流寒潮我生幸逢圣人起南国祸乱初平事休息从今四海永为家不用长江限南北
《好事近·春路雨添花》原文翻译及赏析_作者秦观春路雨添花花动一山春色行到小溪深处有黄鹂千百飞云当面化龙蛇夭矫转空碧醉卧古藤阴下了不知南北


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